Euan Uglow, a british painter, born in 1932 and died in 2000, is mostly know for his nudes. His use of color is breathtaking. The skin tones and subtly of light and dark show his skill and set him apart. Although some of his nudes are, in my opinion, overtly sexual, I do really appreciate his attention to detail, as the proportions are amazing in his figure drawings and paintings. He would spend long periods of time on each painting, making sure every detail was to his exact standards. Another identifying aspect to his work is the use of planes. There are many geometric shapes, lines, planes, and marks in his paintings. Many of them are not taken out after the desired measurements were realized. They are probably the single most apparent technique on his drawings and paintings that make them easily recognizable as his work. They make his work almost seem sculptural to me.
I had a religion professor at BYU whose undergraduate degree was fine arts, his focus was painting. He wanted to do this as his life's work, but he soon found that his life was being directed in a different path and he went back to school to become a seminary teacher and then a professor at BYU. Luckily for us, he didn't stop painting. His art began to focus on church history. One of my favorite pieces that he has done is of the prophet Jospeh Smith and a one of the people who scribed for him in a room doing the translation of the Book of Mormon. This picture is significant because it is really the only historically accurate artistic interpretation of how most of the Book of Mormon was translated. The Gift and Power of God, by Tony Sweat Tony uses models for his painting and I believe he uses them both in live sessions and from photographs he's taken from the live sessions. His work is often narrative and fills an important nitsch in the Mormon art world: As close as p...
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